塞缪尔·约翰逊文学理新

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【摘 要】塞缪尔约翰逊主编的《莎士比亚集》,有校勘、注释和评论.约翰逊认为戏剧基于想象,各幕之间在空间和时间上的变异是应该允许的.他认为三一律之中,只有行动的一致性是重要的,空间的一致性和时间的一致性是虚妄的.莎士比亚不受这一规则的束缚,正是伟大之处.本文对莎士比亚的道德缺失,粗俗语言和情节安排混乱进行讨论.

【关 键 词】塞缪尔约翰逊;《莎士比亚全集》;个人经历;社会;宗教

1.IntroductiontoSamuelJohnsonandPrefacetoShakespeare

SamuelJohnsonwasanEnglishauthorwhomadelastingcontributionstoEnglishliteratureasaessayist,poet,moralist,biographer,literarycritic,editorandlexicographer.JohnsonwasadevoutAnglicanandmittedTory,andhasbeendescribedas"themostdistinguishedmanoflettersinEnglishhistory"andthesubjectof"themostfamoussingleworkofbiographicalartinthewholeofliterature".

Johnson'sPrefacetoShakespeareexpresseshisgroundingofcriticaljudgmentonmoralityandhisideathatpoetsshouldconcernthemselveswithrepresentinggeneralnaturethanparticularexperience.Thelong-sustainedexperienceofmankindisJohnson'stestforolderwritersandShakespeareispreeminentbecauseheisthepoetof"generalnature."Shakespeare'sappealrestsonhisabilitytoportrayhumannature,notkingsorRomans.ThisisShakespeare's"mirroroflife"thathasstoodthetestoftimeandthatnarrowercriticshemisunderstood.


Aboveall,JohnsonpointsoutShakespeare'sthreeshortingsinPrefacetoShakespeare--thatis--Shakespeare'slackofmorality,hisvulgarityandhiscarelessnessincraftingplotsandhisoccasionalinattentivenesswhenchoosingwordsorwordorder.ThosewhoareaccustomedtothebeliefthatShakespearecoulddonowrongmaybesurprisedbyJohnson'sstrictlyjudicialappraisalofthebard'aultsandvalues.Inmyfinalthesis,IhecollectedmanymaterialstopleadforShakespeare.IwillanalyzehisshortingromShakespeare'spersonalexperienceandthesocietyinhistimes.

2.ExplanationorShakespeare'sShortings

2.1Shakespeare'sPersonalExperience

ShakespearewasborninStratford-upon-Avonandbaptizedthereon26April1564.Althoughnoattendancerecordortheperiodsurvive,mostbiographersagreethatShakespearewasprobablyeducatedattheKing'sNewSchoolinStratford.GrammarschoolsvariedinqualityduringtheElizabethanera,butthegrammarcurriculumwasstandardizedbyroyaldecreethroughoutEngland,andtheschoolwouldheprovidedanintensiveeducationinLatingrammarbaseduponLatinclassicalauthors.Attheageof13,Shakespearedroppedouthisschooltohelphisparentstoremaininbusinessafterhiatherhadgonebankrupt.Between1585and1592,hebeganasuccesulcareerinLondonasanactor,writer,andpartownerofaplayingpanycalledtheLordChamberlain'sMen,laterknownastheKing'sMen.Shakespeare'searlyplaysweremainlyediesandhistoriesincludingAll'sWellThatEndsWell,AsYouLikeIt,MeasureforMeasure,AMidsummerNight'sDreamandsoon.InPrefacetoShakespeare,JohnsonmentionsthattheplotsinShakespeare'splaysareoftenlooselyformed,thateryslightconsiderationmayimprovethemandsocarelesslypursuedthatheseemsnotalwayullytoprehendhisowndesign.Inaddition,JohnsonsaysthatwhenShakespearefoundhimselfneartheendofhiswork,heshortenedthelabortosnatchtheprofit.Thereforeheremitshiseffortswhereheshouldmostvigorouslyexertthemandhiscatastropheisimprobablyproducedorimperfectlyrepresented.

AfterafullystudyaboutShakespeare'searlylife,wecanunderstandhiscarelessnessandvulgarityincraftingtheplots.Helivedinsuchabigfamilyandhewasresponsibleforsupportinghiamily.Shakespearewasinterestedinplays,sohebegantoearnmoneybyplayingaroleonstages.Laterhehadanideathathecanearnmoneybywritingplaysalso.Inmyopinion,mostofShakespeare'searlywritingscanonlyrepresentamonyounger'sinterestinwritingplaysaswellasatoolforfood.MoneyweresignificantlyvitalforyoungShakespeare,sohedidn'theenoughtimetorevisethewritingsagainandagain.Therefore,somelooseplotsinhisearlyedieaybeneglectedbyhimself.What'ore,occasionallooseplotsdon'theaconsiderablybadeffectonhisedies.

2.2SocialStatusinShakespeare'sTimes

There'rethreestagesinShakespeare'screationofplays.TheanalysisofShakespeare'swritingstagescanhelpustounderstandthechangesofShakespeare'scharacters.InPrefacetoShakespeare,Johnsonmentionsthat"Thecensurewhichhehasincurredbymixingicandtragicscenes,asitextendstoallhisworks,deserveoreconsideration."IthinkthatafterstatingtheclearpartitionofShakespeare'swritingperiod,IcantrytodefendJohnson'sstatement.

Itirom1590to1600thatElizabeth'srulereacheditsprime.Atthattime,allovertheUKwereprosperousandflourishingwhichhadaninfluenceonShakespeare'stoneofcreation.WecanconcludeShakespeare'swritingcharacteristicsaollows.Firstly,withtheattitudeofthereality,Shakespeare'splayocusonpraisinghumanisticnewideas,andnewethics,whichisparticularlyoutstandinginhisedies.Secondly,hehasshapedaseriesofidealcharacters,suchasHenryV--inhistoricalplaysagloriouonarchwhogovernshisempireorderly,andPortiaandViola,alargegroupofnewfemaleedyimages.Throughmoldingtheseimages,theauthorexpressesthatheadvocatestheunityofhiscountryandhealsopresentshireedominindividuallife.Thirdly,fortheconflictsinplays,heuseisunderstandingsandcoincidencetoweetheplot,andpresentthecharacters.Inthelastparagraphs,IhedividedShakespeare'screationperiodintothreeparts,statedhiswritingfeaturesandanalyzedthereasonorthechangesofhiswritingfromdifferentaspectainlyfromthesocietyathistimes,hishumaniandsoon.Aftertheanalysisofhisthreewritingperiods,Ihedividedhisworksofdifferenttimesintoedy,tragedy,historicplaysorlegendplays.

2.3MoralityinShakespeare'sWorks

InPrefacetoShakespeare,JohnsonmentionsthatShakespeare'irstdefectisthattowhichmaybeimputedmostoftheevilinbooksorinmen.Franklyspeaking,inmostplaystheauthorneedstomoulddifferentkindsoffiguresincludingthedecentandthevillain.Sometimesthevillainishelpfultoserveasafoil.NowIwillpresentthemoralityinShakespeare'splaysandtracetheoriginbacktotheBible.

Shakespeare'stragediesareconsideredtobetheChristiantragedies.BythemostbeautifulformsShakespeareshowshisChristianideastousandsomeofitostrepresentativecharacteristicsareconnectedwithChristianreligioussentimentandChristianunderstanding.ManymainideasinShakespeare'splaysaresimilartotheBible.FirstlybeliefconsciousnessstandsoutinMacbeth.Secondly,benevolenceplaysasignificantlyimportantroleinShakespeare'splays.Shakespearetendstobinekindness,passion,fiveness,peaceandlovetogethertoserveasthetrueportraitureofhumannature.Inhisplaysthenobleheroessharetheholyspiritandloftyemotion.Thirdly,confessionespeciallytheconsciousnessofconfessionfromthecharacters'deepheartinShakespeare'sisanotherembodimentofmoralitywhichalsobelongstothebasicideasofChristian.

3.Conclusion

Aftertheaboveanalysis,IcanconcludethatShakespeare'sgreatcontributiontotheliterature,tosomeextend,hascoveredhislittlemistakes.Icanunderstandhisshortingr

本文是一篇参考文献论文范文,关于参考文献方面毕业论文提纲,关于塞缪尔·约翰逊文学理新相关学年毕业论文范文。适合参考文献及外国文学及社会科学方面的的大学硕士和本科毕业论文以及参考文献相关开题报告范文和职称论文写作参考文献资料下载。

omhisownpersonalexperience,hissocialstatusandhisreligion.ThereisnotfixedframeandschoolinShakespeare'ind.Hetendstobinemanykindsoftechniquesincreating.Shakespeare'splaysseemtobearichmineraldeposit.Ifwearejustlookingforanelement,itisawasteoftime.

Itisobviousthateverymanhashiaultwhichissameasanauthor'swritings.DifferentreadershedifferentideasaboutShakespeare'splays,nomatterbadorgood.ThereareathousandHamletsinathousandpersons'eyes.SotoappreciateHamletistoenjoyShakespeare.

【参考文献】

[1]Fussell,Paul.SamuelJohnsonandtheLifeofWriting[M].1986:42.

[2]WilliamShakespeare.皆大欢喜[M].朱生豪,译.人民文学出版社,2009:25.

[3]WilliamShakespeare.KingHenryV.[M].NabuPress,2010:24.

[4]刘丛如,吴向军.《圣经》的文学价值及对莎士比亚作品的影响[J].衡水学院学报,2006(02).

[5]赵晓梅.基督教文化背景下的莎士比亚创作[J].南通工学院学报(社会科学版),2002(01).

[6]孟宪强.莎学信息三则[J].外国文学动态,1994(03).

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